The Great Roman Museum

Apocrypha

This document keeps the secret of the Great Roman museum, and is one of a kind from the time of the Roman Empire. This secret should be kept; otherwise this museum can fall into the clutches of people who might wipe the things made by the hands of many famous engravers and artists.

As you read this text, you, man of God, should know that this secret is kept thanks to God’s will and God’s curse will let no one escape from it, especially one who takes the treasures. God witnesses and will punish those who greedily go against his will.

But you, man of God who reads this text, keep the secret and do not share God’s secrets with anyone. Only God’s people, and only trustworthy and proven people, can keep it for eternal times.

The one who enters in the underground palace should enter it with the knowledge of God and without evil thoughts in their souls. May the one who doesn’t obey God’s law be punished with suffering and pain… i.e. this writ.

The entrance of the Great Museum in Rome is in a mountain, near the fortress of Serds. South-east from the fortress in a high place is the great Rock…it will help you when you search. Ten strides away from the waterfall, the place where the water falls precisely, on the north-west of the current there is an enormous crack. It is three strides wide in its base and two strides wide at its top. The end of the crack will show you the entrance of the museum. It is very narrow and it is difficult to pass through. It is covered with many stones and soil, but it is only the beginning, but if one is motivated enough and works hard, they will get to the marble doors. When you climb down in the hole you will get to them.

The hole is narrow for ten strides, then it becomes wide and will take you to a big hallway with a wide marble door.

You can easily find your way to the outside of the entrance of the museum when you see the images of demon heads in the rock’s side. From the river’s side, as high as the wedged rock, you can see two demon heads. It is all designed in a triangular shape.

These two heads are engraved in the wall and are located one next to the other. From the other side of the crack, by the river, you can see as high at the base other demon head in the triangular shape. Its image is much smaller than the other two.

The great museum dates back in time, when in its base was Savel’s tomb. It is covered in color marble brought from the ore mines of Vratitsa.

When you enter the red marble door you will find a staircase with 700 steps, made of pure white marble. One can see that there is a stage on every fifty steps, and there are huge marble statues that hold the sunlight.

The arch of the staircase is higher than twenty strides. On the first stage, where the steps end with twenty huge statues, you will see a huge bluish Bogins, protected from its two sides by huge Dinaids.

You will then come across an enormous metal door. Once you enter, you will be astounded by the beauty in the color hall of the museum. Every possible kind of marble that was discovered at that time was used on the walls of the hall.

This is the hall of the marble gods, because as I said before, it was made with lots of color marble.

The columns that are spread all over the hall are made of marble in different colors and at each one of them you will see the heads of many gods and examples of Hornis celebrations.

The mosaic consists of arranged marble pieces in different colours and among them there is multicolored Purtinov dust.

A grand stalactite tells us about the time before the cave turned into a museum.

In the hall, in the end heading east, there are two enormous loops which will lead you to hall II once you pull them.

This hall is narrower. One can see the history of the Romans ore mines that existed at that time.

The big map was made of golden admixture and can be seen at the beginning of the hall. It is five by five and a half strides. On it one can see all the roman settlements from that time. The gold mines are shown as yellow dots.

This hall shows you all the different ores which were obtained at the time the museum was made. Big chunks of gold show us how rich the mines were when Romans exploited them. In the east side of the hall there is a natural holomsk with a big chunk of gold in it.

A countless number of chests can be seen with their labels on them, made ready to be taken to the museum in Rome, but were left behind after Romans unexpectedly left the lands of Serds. The torches on the walls of the hall are made of bone that illuminates greenish blue light in the dark. Once you enter in it you will feel really scared because the figures on the walls arch and floor will cast light on you but you, will get used to that.

The human figures that glow in the west wall are really horrible and scary to look at. You need to know they do not move, although it feels like they do. It is only your fright and the metal system combined with the two dead human bodies in equal coloring which makes them seem animated, and the corpses emanation made of red and green balm makes them look as if they are movabled.

You need to know that if you speak in the hall, you will hear sounds for hours. If so you will feel that the images on the walls and the ceiling move and utter. All that can make everyone crazy once he or she enters here.

There are holes of different depth shaped like funnels in this hall. When a sound is emitted it goes in and out of these holes. That mixes sounds. One should be silent when he enters the hall. This hall is fearful although you know the writ. What is necessary is that shoes should be silent.

There is a marble throne with loops on the arms, at the south side of the hall. There is a loop between the legs as well.

When you sit in the throne push with your two hands the loops and pull the middle one so that it attach. As you do that you will find yourself in the middle of five galleries in the biggest hall of the museum –III.

... ...

Terra Incognita and The Secrets of The Treasures

In ancient time the dynamics of time made people hide themselves and their sacred things in Mother Earth.

The maxima Terra Incognita reveals right that phychological phenomenon.

Mother earth is that one that saves and keeps the most important-human life and people’s achievements.

In ancient time there was no serious stronghold (fortress) without a underground basement, no big sanctuary without Holy of Holies (secret depository), no palace without secret exits (galleries), no house without a basement and/or secret boxes.

Human psychic and extreme logic are similar in time. Even today under military bases are built secret blockhouses (bunkers) and tunnels, and precious things (physical and intellectual) are kept in secret safes.

Even today treasures are hidden and relocated; even today many people keep their precious things hidden at their secret places.

Hidden treasures and secret depositories date back from Ancient times. This follows the psychological order logically.

To the ones that know the secret, the stronghold is not of prior importance, the secret basement is prior to them.

If looked from the distance of time the stronghold is just a temporary object.

Even if a stronghold (fortress) fully collapses and disappears, the basement with its secret tunnels and depository remains.

The situation is exactly the same at holy places.

The one, who knows, treats the temple as second in importance, the prior in importance is the Holy of Holies (secret depository).

Even if a holy place (church, monastery etc) is totally demolished and erased from the earth’s surface, its secret depository (Holy of Holies) remains. Secret documents are usually written about these secret places. In most cases these documents are kept as something valuable through generations. These secret documents are sometimes really seriously hidden from everyone, and the secret that was kept in them hidden even from the closest relatives.

People who are not aware of the secret can accidentally find them after a long time being buried, built in or hidden somewhere.

If these people are competent in that area they can value what they owned. If they are not, they could sell the document for a certain price to an antiques shop owner.

He may go to look for the treasure on his own or to sell the precious document for a good price, earning a lot of money from it.

Anyway, each document about a treasure, no matter what kind of history it had, no matter how far it had been, returns to the place of the treasure at some time.

That is quite logical, because that document only makes sense and value only at the place about which it descript, i.e. where treasure was hidden.

So, no matter how far away they have been and how long they were there, the apocryphal documents return to the regions about which they were created (the regions of the treasures). It is not a rare case when unknowing and illiterate inheritors throw away or gift the useless for them old documents to other people.

If the document is easy to read (no secret word order) it quickly starts its way back to the treasure.

If it was written in unknown language or in a secret word order (cryptograph) it can stay for a long time in a private or public depository without people to realize its value. In the end the secret of the document is always revealed, the text is read and the legendary walk back to the hidden treasure started.

The bigger and more valuable the treasure is (intellectually and physically) the more complex and longer is the back way to it.

All this is quite natural. The time difference is often crucial for the understanding of what was written in the document.

Right because of this the manuscripts of ancient depositories (Holy of Holies) or famous sanctuaries and secret treasures of great monarchs sound like fairy tales to us nowadays.

Usually from the time the apocrypha (secret document) is written, to the time it is revealed, it takes hundreds or even thousands of years.

This delay is quite logical since at the very beginning the document was kept in secret by the person privy to the secret. Usually the secret is given to a son from his father or to a grandson by his grandfather. This is how the apocrypha passes through many generations…

With the distance of time the secret from the past starts to sound like a fairy tale more and more. Every new generation needs stronger belief in the secrets truth, so that would be kept it…

That regularity is determined by the broken feed back with reality.

Document is usually far away from the treasure.

Thus the fate of the document is given to human virtuality…

Human brain is capable to comprehend even the most imaginary descriptions when valuable things are involved.

What usually happens is that those who inherited the documents and do not trust what is inside it decide to investigate if it is about a real thing.

They are the sources of the original scripts the by-apocrypha. They are given to a trustworthy man on his way to the place of the treasure.

These source texts, although they are fully authentic are less detailed than the originals.

In some cases some big paragraphs of the document had been removed, sometimes about external natural features or about internal description.

Sometimes it is remover more about the external signs, than about the internal description.

There are examples when the landscaping description is almost full (with a few crucial lacks), but for what is inside is described briefly.

The trustworthy people who are travelling to the treasure usually are not familiar with the area. They are made to ask and interrogate many people.

In the end rumors start, people talk about where and what is being searched.

Usually, the apocrypha documents self starts legends and stories about the places, where treasures are hidden, although many people had been sacrificed in the past so that the secret to stay well kept and unrevealed.

The treasure usually remains unrevealed by the first try. After some time, new copies appear from the original document, they turn head to the treasure as well.

This usually happens simultaneously with the circulation of the already existing documents. Thus, in the end there are a few copies and copies of copies for one and the same treasure and also there are contemporary (secondary) legends and stories.

All these misterious processes had been started by the one who are looking for the treasure.

When a document is being transcribed ’the cuts’ was a major instrument although in many cases retelling the story is also a popular instrument in the process. The last one depends on the level of competency and development of the one who writes…

There are evil brains too. They deliberately insert non existing details and even fake paragraphs so make the finding of the treasure a difficult process.

As time goes by, for just one threasure there could be a full box of different copies.

We should not miss to take into consideration also the importance of the folklore in all these processes.

People know many legends and stories about hidden treasures.

The last usually possess their own legendary style and their content (the part about the treasure) is very short.

And yet in some situations legends and stories like that are the real key to the treasure.

People had made up a very solid folklore constructions (mental matrices) that transfer valuable information about existing objects, events and people through generations.

When apocrypha are analyzed all the copies, stories and legends about hidden treasures should bear in mind the changes (the development) that happened in the language, toponymy and hydronymy, lays, hydro and road maps etc. Also along with that one needs to know in details the time of the treasure. Being aware that we usually have copies only (no originals), it is a good idea to know their history and their travelling through time and space.

Before you start terrain work, you should you a lot of office work and research in advance.

Those, who only think to check a few key words in Google and to count on that as a research they better not even start searching for treasures.

Although you will download from the internet all you can about the object, place, area and the time of the people related to it, you will also need to spend a long time in the local libraries and archives. What follows is reading, looking for information over and over again you up to the moment when the useful information is almost none.

Once you have good theoretic experience you will need so to start the terrain work. It is important this to start with a few meetings in the near (to the object) settlements.

Local elderly people are real encyclopedias about the history and geography of the region. When you talk to them all the office work will be a great help in gaining the trust of a some good wishers.

Many scientists ignore the contact with local people and then they state themselves to be the discoverers to something well known to many else for a long time.

Local people’s memory is priceless source of legends and stories. They are the life connection between past and its authentic traces.

And beyond all that was said the local people had a long experience and know these places very well. They know the best approaches and can save you a long time of wandering, useless searches and unreasonable stops.

There are helpful and good people who will gave some self time to show you around and show interesting places and sites.

For a few hours walk with an experienced local guide you may end up knowing more than after a few month long individual research.

And last but not least local people can tell you valuable information about other colleagues of yours, who, when, what and where had they looked for…

Do not play cheep tricks to local people, do not give them false information that you are looking for your great-grandfather’s piece of land or something like that.

Where treasures are hidden telltale stories like that can only be harmful and be harmful to the relationship with the locals.

Of course you do not have to share all you know…you need a primary story to your public.

Many famous archaeologists from the past made their most valuable discoveries thanks to local people.

Unfortunately young generation of scientists rely too much on books, computers and the internet, not bearing in mind that everything described in them had already been discovered.

If you want to be discoverers and real explorers you should have good people relations.

People are archetypal sources of authentic information about the region. Often they are the only source, because the releif, toponymy and hyrdonymy change abruptly in time.

Sometimes signs are destroyed by nature, time, forest and farm activities of by other treasure hunters.

We need to remind you that it is a good idea to shoot and film everything related to you research.

Get yourself ready to waste lots of time and money doing terrain works. Be ready you will need a great stock of money, time and nerves.

If it is your first time to look for a treasure you will feel the gold diggers fever.

Some get rid of it quickly and some keep it for life.

Emotions are not a thing I advise you to have when you do terrain work. They will not help you plan and may led things to go wrong.

It is the last time we remind you that you are the researcher and you need to have your own research plan.

Even if you have to update it numerous times (while working) do not allow old people tell you what to do.

If you let yourself lose control you will find yourself far away from where you searched.

Be patient and polite, ask questions, write down answers and do not only rely on your memory.

This is a real time life lesson, one of a kind. There is no text book to teach you this lesson, so there is nowhere for you to learn later.

Your notes, photos and films may end up being scientific sources in future.

You are the author of the book, so use your breaks to write in your journals.

Elderly people will surprise you with their untiredness. Some of them will trot far ahead of you.

Be ready to experience a few hour walk to somewhere which was announced to be over there and at least an hour to somewhere stated to be very close to you.

Start learning the old men’s wording to the things. Once you know their language it will be easy to realize the descriptions, legends and stories that you hear from them.

It is quite often that a great part of the sites (signs) had changed drastically and many of them are not present at all. Old people’s memories can be priceless for your research.

Respect their faith and rituals. Old Christians usually make the sign of a cross over themselves when they see remains of church or monastery, old Muslims usually bow.

It is a good idea for you also to show some respect. This is how they will be on your side and you will learn things from them that they are not ready to share with everyone.

Never argue with an old man about the meaning of name, site, and area or something, just write down what they tell you.

Old men’s interpreting is more real, natural and closer to the past and to the nature than yours.

They may have never studied history, mythology or folklore but they can give you priceless lectures about these.

Just be careful to write a detailed description of everything, some of them may you will never seen again.

It is quite often the signs to be ancient remains, not haidut’s work. Never miss the chance to make a detailed description to the haiduts’ version. It usually had leading part in most of the documents (apocrypha).

It is understandable that for some people cross and half moon are symbols, for some other they are signs and for a third party they are fetish. The symbol symbolizes (connects), the sign means (specifies) and fetish is worshipped.

Although the nature of symbols, signs and fetish is one and the same (visual sources presenting mental matrices) their perception depends on the level of development of the one, who emits and of the one who accepts (participants in the communication).

You should bear in mind the evolution of notions (mental matrices) in time.

To the serious researchers we recommend to get to know the theory of mind development.

Mental matrices, our book can be downloaded from the internet. http://sfera.zonebg.com/knigi.htm

... ...

Download full book from
http://treasures.zonebg.com/trin/index.htm